James Gifford

I can usually be found in my office on the Vancouver Campus. Contact information is on the left and a brief biography is on the right. Below are some of my publications. My research is largely on that hazy category "late modernism" but includes popular culture, modernism, and various national literatures. I'm currently at work on a monograph about the overlaps between late modernism, fantasy fiction, and anarchism, A Modernist Fantasy: Modernism, Anarchism, and the Radical Fantastic, as well as the collected works of Edward Taylor Fletcher (a 19th century Canadian poet) and a follow-up collection of Lawrence Durrell's prose, From A Winter Journal. My teaching and research more generally include the following:

  • Nineteenth & Twentieth Century literature in English (British, Irish, American, & Canadian)
  • Opera and musical theatre (Restoration through Twentieth Century)
  • Editing, Typography, and Bibliography
  • Interdisciplinary studies (Media Studies, Critical Theory, Cultural Studies, opera, & music)
  • The novel (18th century to contemporary)
  • Poetry (Modern American, British, Irish, and Canadian, as well as traditional survey)
  • Colonial, Postcolonial, Travel, & 'place' literature (fiction & creative non-fiction)
  • Digital Humanities
  • Essay writing, academic writing, & composition (academic, business, & professional)

I also edit the annual "American Literature: The Twentieth Century" chapter for The Year's Work in English Studies. On the Vancouver campus I teach courses in ENGL, ENWR, HUMN, COMM, and UNIV.

Selected Publications


Personal ModernismsGifford, James. Personal Modernisms: Anarchist Networks and the Later Avant-Gardes. Edmonton, AB. University of Alberta Press, 2014.

ABSTRACT: Gifford's invigorating work of metacriticism and literary history recovers the significance of the "lost generation" of writers of the 1930s and 1940s. He examines how the Personalism of anarcho-anti-authoritarian contemporaries such as Alex Comfort, Robert Duncan, Lawrence Durrell, J.F. Hendry, Henry Miller, Elizabeth Smart, Dylan Thomas, and Henry Treece forges a missing link between Late Modernist and postmodernist literature. He concludes by applying his recontextualization to four familiar texts by Miller, Durrell, Smart, and Duncan, and encourages readers to re-engage the lost generation using this new critical lens. Scholars and students of literary modernism, 20th century Canadian literature, and anarchism will find a productive vision of this neglected period within Personal Modernisms.

From the Elephant's BackDurrell, Lawrence. From the Elephant's Back: Collected Essay & Travel Writings. Ed. James Gifford. Pref. Peter Baldwin. Edmonton, AB. University of Alberta Press, 2014.

ABSTRACT: Best known for his novels and travel writing, Lawrence Durrell defied easy classification within twentieth-century modernism. His antiauthoritarian tendencies put him at odds with many contemporaries aesthetically and politically. However, thanks to a compelling recontextualization by editor James Gifford, these 38 previously unpublished and out-of-print essays and letters reveal that Durrell's maturation as an artist was rich, complex, and subtle. This edition promises to open up new approaches to interpreting his more famous works.

In Our Time (1923)Hemingway, Ernest. "In Our Time" & "They All Made Peace - What Is Peace?": The 1923 Text. Ed. James Gifford. Victoria, BC. Modernist Versions Project, 2015.

ABSTRACT: This critical edition of the 1923 state of Hemingway's In Our Time is the first of three volumes for each major state of the text. Few writers have shaped the style of twentieth century prose as did Hemingway, and it all began with the "vignettes" in The Little Review, which have been largely unavailable for scholars and entirely out of reach for classroom use. Hemingway's related "They All Made Peace - What Is Peace?" from the same issue is also included. The editions are released in Canada under a Creative Commons 3.0 unported license for free use and modification.

in our time (1924)Hemingway, Ernest. in our time: The 1924 Text. Ed. James Gifford. Victoria, BC. Modernist Versions Project, 2015.

ABSTRACT: This critical edition of Hemingway's 1924 version of in our time is the second of three volumes for each major state of the text. Few writers have shaped the style of twentieth century prose as did Hemingway, and it all began with the "vignettes" of in our time, which have been largely unavailable for scholars and entirely out of reach for classroom use. The editions are released in Canada under a Creative Commons 3.0 unported license for free use and modification.

The Lost IslandFletcher, Edward Taylor. The Lost Island: Atlantis. Intro & Notes. James Gifford. Engravings. Peter Lazarus. Mission: Horse Whisper Press, 2011.

ABSTRACT: This fine edition revives Fletcher's 1889 long poem The Lost Island, written in Victoria, British Columbia. Produced at the Barbarian Press and using rich illustrations from with wood engravings by Peter Lazarus, the poem retells the myth of Atlantis while combining diverse mythic traditions from India, Scandinavia, and Europe in a landscape that reflects the West Coast of Canada. This edition attempts to fulfill Archibald Lampman's call in his 1893 review: "Let us do honor to such a poet, who has maintained a reserve so fine and so unusual, who has run so far counter to the clamorous custom of his age as to live out a long life in the tranquil life of books, wisdom and poetry."

The Picture of Dorian GrayWilde, Oscar. The Picture of Dorian Gray. Ed. & Intro. James Gifford. Victoria, BC: McPherson Library, University of Victoria, 2011. (download updated EPUB or PDF directly)

ABSTRACT: In 1890, Oscar Wilde published the first version of The Picture of Dorian Gray in Lippincott's Monthly Magazine. After vociferous public responses, Wilde completed his revisions, expanding the novel by half again and adding his now famous "Preface" for what, in 1891, became the standard version of the novel. This leaves readers with two distinct versions of this literary masterpiece. This edition uses the British edition of the often overlooked 1890 printing prior to Wilde's expansions and expurgations. It also fills a gap in student-oriented publications of The Picture of Dorian Gray by making the 1890 instantiation of the novel available for classroom use. As an entirely electronic edition, it encourages a blended learning environment that privileges the text's accessibility and portability – students have access to a standard document with uniform pagination in a Portable Document Format as well as ePub formats for a range of mobile reading devices. The annotations to this edition generally assume an undergraduate reader without significant prior experience.

Autumn GleaningsStephanides, Theodore. Autumn Gleanings: Corfu Memoirs & Poems. Eds. Richard Pine, Lindsay Parker, James Gifford, & Anthony Hirst. Kerkyra: Durrell School of Corfu, 2011.

ABSTRACT: Theodore Stephanides was a polymath. He had an international reputation as a scientist (he was a medical doctor, a naturalist and an astronomer), but he was also a poet and a translator. Stephanides was born in India, but came to Corfu with his family as a child, and it was there, many years later, that he encountered the Durrell family, who moved to Corfu in 1935. Complete for the first time in Autumn Gleanings are Stephanides' memoirs of his meetings with Lawrence Durrell in Corfu, Athens and Egypt, in the years 1935–44, together with his last (and hitherto unpublished) collection of poems. Both the memoirs and the poems are, by turns, witty, perceptive, erudite and compassionate.

Panic SpringDurrell, Lawrence. Panic Spring: A Romance. Ed. & Pref. James Gifford. Intro. Richard Pine. Victoria, BC: ELS Editions, 2008.

ABSTRACT: First published in 1937, two years after Durrell took up residence on the Greek island Kerkyra, Panic Spring broke with the realist tradition in 1930s novels and shows the young author's first attempts to extend High Modernist innovations in rural and personal landscapes. Cubist, surrealist, and imagist techniques merge with rural life and the peasant village that an international group of expatriates are led to by a curiously Pan-like boatman. Unavailable for seven decades, this new edition of Panic Spring shows Durrell's emerging passion for Mediterranean life and the Greek world as well as his first attempts to articulate a political-aesthetic direction distinct from his peers, George Orwell and W.H. Auden. Under the shadow of financial and political ruin, on the verge of revolution and war, the one chance summer depicted in Panic Spring will make readers reconsider the impetus and interests behind Durrell's late modernist masterpieces, The Alexandria Quartet, The Black Book, and Prospero's Cell.

Pied Piper of LoversDurrell, Lawrence. Pied Piper of Lovers. Ed. & Intro. James Gifford. Victoria, BC: ELS Editions, 2008.

ABSTRACT: Durrell's first novel, Pied Piper of Lovers, was published in 1935, shortly after he left England to live abroad until his death in 1990. As an autobiographical Künstlerroman, it traces Walsh Clifton's Anglo-Indian childhood and his struggles to negotiate a life between "mother" India and "father" England. The trauma of leaving India for an alien home propels the novel's concerns with colonial life and its wounds, transitioning from an idyllic rural world to London and Bloomsbury in the 1920s. Pied Piper of Lovers draws keenly from Durrell's own life and charts the emotional experiences that would drive the rest of his career. For these reasons, Durrell never allowed republication, and the novel was largely lost in the London Blitz. Pied Piper of Lovers prompts significant reconsideration of the impetus and political tensions behind Durrell's late modernist masterpieces, The Alexandria Quartet, The Avignon Quintet, and Bitter Lemons. This new edition allows readers to reevaluate Durrell's complex role as a colonial writer in a postcolonial world by emphasizing his irony, privileges, and bitterness for a life always lived in-between.

The Henry Miller-Herbert Read Letters: 1935–58Miller, Henry & Herbert Read. The Henry Miller-Herbert Read Letters: 1935-58. Ed. James Gifford. Ann Arbor: Roger Jackson, Inc., 2007.

ABSTRACT: This book collects the correspondence between Herbert Read and Henry Miller, ancillary writings by Read, and my extensive critical revision to the development and ideological underpinning of Anglo-American Surrealism. I also reconstruct the literary network that developed around both authors before and in the wake of the 1936 London International Surrealist Exhibition. Ancillary materials include Read's related poetry The End of A War and his critical work on Miller.

Culture + the State: Landscape & Ecology Culture + the State: Disability Studies & Indigenous Studies Culture + the State: Nationalisms Culture + the State: Alternative Interventions

Gifford, James & Gabrielle Zezulka-Mailloux. Eds. Culture and the State: Landscape and Ecology. Vol 1. Edmonton: CRC Humanities Studio, 2004. 248 pp.

ABSTRACT: In 1989 some proclaimed the imminent universal triumph of a particular state form – the modern liberal state. Since then, others proclaim the imminent demise of the modern nation state under advancing globalization. Yet modern states continue to be formed – from the former Yugoslavia to the new East Timor. One thing is clear in these developments. Despite the global promotion of science and commerce, culture in various forms had and has a major if not central role in state formation, from ancient times to the present. The four volumes of Culture and the State address all these issues, and more. Organized around a set of flexible themes, the series considers the role of culture variously defined – high and low, elite and popular, local and global, historical and contemporary – in the creation, maintenance, transformation, and demise of states.

———. Eds. Culture and the State: Disability Studies and Indigenous Studies. Vol 2. Edmonton: CRC Humanities Studio, 2004. 238 pp.

———. Eds. Culture and the State: Nationalisms. Vol. 3. Edmonton: CRC Humanities Studio, 2004. 279 pp.

———. Culture and the State: Alternative Interventions. Vol 4. Edmonton: CRC Humanities Studio, 2004. 278 pp.

Articles & Book Chapters

Gifford, James. "Late Modernism's Migrations: The San Francisco Renaissance, Egyptian Anarchists, & English Surrealists." Textual Practice 29.6 (2015): 1051–1075.

———. "Place, Personalism, Anarchism, & Fantasy: Recasting Late Modernism." Literature Compass 12.7 (2015): 322-332.

ABSTRACT: This essay outlines an ongoing critical intervention in the growing field of late modernist studies by recuperating anarchism as a political philosophy for English language writers of the 1930s and 1940s. The first section gives an overview of the development of late modernism as a critical category and how its early basis in Marxist criticism developed from the Auden generation. The second section traces new and expanded international networks made visible through attention to anarchist rather than Marxist sen- sibilities. The third section considers the development of fantasy genre fiction based on the emergence of major authors from the antiauthoritarian literary networks outlined and as a continuation of the political transformation of activism to literary aesthetics and form. The conclusion anticipates coming expansions in the critical corpus through attentiveness to anarchism more broadly in late modernist studies and the new modernist studies generally.

———. "'Per omnia saecula saeculorum' or 'Inkaba yakho iphi?': Indigeneity in Alex La Guma and Aidan Higgins." Canadian Review of Comparative Literature/Revue Canadienne de Littérature Comparée 42.2 (2015): 171-189.

ABSTRACT: Both Alex La Guma and Aidan Higgins stress a vital relationship between subjectivity and territory. Both also vividly bond social consciousness to an indigenous sense of rootedness in place, and for both it is a place of ancestors from which subjectivity emerges and to which it returns. This surprises given the metaphysical rather than materialist concepts with which this figuration aligns. They also share a complex decolonizing vision contextualized in both instances by the Marxist understandings of class and settler colonialism that shaped postcolonial discourses of the 1960s. Hence, this article draws on theories of indigeneity in contrast to theories of social conflict based on class to consider the importance of situatedness and belonging in two colonial and postcolonial novels of South Africa and Ireland: Langrishe, Go Down (1966) and In the Fog of the Season's End (1972).

———. "A Handwritten Letter from Egypt." Fronts of Modernity: The Twentieth Century Collections. Ed. J. Matthew Huculak. Victoria, BC: University of Victoria Libraries, 2016: in press.

———. "From Booster to Bolero: Post-Surrealism & Apocalyptic Anarchism." Anarchism. Ed. Allan Antliff. Journal of Modern Periodical Studies 4.2 (2013): 270-298.

———. "The Personal Landscape & New Apocalypse Networks: Philhellenic, Anarchist, & Surrealist Late Modernisms." Archives & Networks of Modernism. Eds. James Gifford, James M. Clawson, & Fiona Tomkinson. Global Review: A Biannual Special Topics Journal 1.1 (2013): 75-104.

———. "Productive Disappointment: The Modern University and Authority." Globalize, Identify, Transform. Eds. James Gifford, Ozen Asik-Dizdar, & Constance Bygrave. Suppl. issue 1 of Global Review: A Biannual Special Topics Journal 1 (2013): 1-14.

Parker, Lindsay and James Gifford. "Rethinking How Humanities Think: Daring and 'do / make / think'." ESC: English Studies in Canada 38.1 (2012): 89-113.

ABSTRACT: Whether the administrative organization of people in the humanities takes the form of a department of English, philosophy, his-tory, or comparative literature, etc., in the modern university, humanistic disciplines continue to reflect the institution in which they reside, even as that institution submits them to "two cultures," "science wars," or corporatization. Neither disciplinary distinctiveness, group identity, nor solidarity within the humanities as a division protect these forms of inquiry and exchange against dominant institutional imperatives and incursions. Asa traditional container for academic activity, departments contribute to what is increasingly becoming a black box nexus of activity around the individual players: the black box being a reduction of a complex process to simply its inputs and outputs with the box around process itself..

Gifford, James. "'The world's extremest borne': West Coast Landscapes and the Poetic Works of Edward Taylor Fletcher." Canadian Literature: A Quarterly of Criticism and Review 213 (Summer 2012): 193-202.

ABSTRACT: Edward Taylor Fletcher is a nearly forgotten nineteenth-century Canadian poet, philologist, and travel writer whose poetic voice was defined by his experiences in Western Canada. His focus on distinctly Western landscapes in his later works anticipates several movements in the arts in Canada that followed. This article elucidates Fletcher's too-long neglected instantiation of this transplantation, not translation, of international poetic materials into distinctly Canadian landscapes.

———. "Poetic Text, Music Text: Competing Nationalist Styles in Restoration Opera." Interdisciplinary Literary Studies: A Journal of Criticism and Theory 14.1 (Spring 2012): 21-37.

ABSTRACT: Within the complex interaction between stage practices, politics, literary production, and musical composition, this article traces the relationship between Restoration libretti and musical scores by emphasizing their nationalist interests, leading to the proposition that musical form can reflect or resist the allegorical political interests of libretti, even to the point of subverting the dramatic text. By moving across these materials, I argue for a necessarily interdisciplinary approach to musical theater of this period, one that emphasizes the combination of the musical and dramatic texts to form the operatic work as a whole.

———. "A Report on the University in Canada." Inquire: Journal of Comparative Literature 1.1 (2011): n.pag.

ABSTRACT: We teach, conduct research and fulfill our professional service during a time when the idea of a university is transitioning from a space to a series of relations or reputations and from a means of recreating particular national cultures to a mechanism in the economic process of globalization. To the extent that such 'spaces' have traditionally been predicated on exclusionary and imperialist cultures, so much the better. However, insofar as the emergence of a new type of university marks the imposition of new forms of cultural hegemony and effaces cooperative thought and action, so much the worse. I am left asking what does the phrase 'a real university' mean, and perhaps more importantly, how does it mean?

———. "Real and Unreal Cities: The Modernist Origins of Durrell's Alexandria." Durrell and the City: Reconstructing the Urban Landscape. Ed. Donald P. Kaczvinsky. Madison, NJ: Fairleigh Dickinson UP, 2011. 13-29.

ABSTRACT: The striking disjunction between scholarly readings of Lawrence Durrell's 'city novels' and more general scholarly readings of the discursive trope of the 'city' in modernist fiction points to a productive dialogism involving late modernist reconfigurations of his modernist origins. And there is good reason. The tension between Durrell's trope of the city and the city in modernist studies is striking, and I contend it reflects his shifting late modernist discomfort with his predecessors.

———. "Anarchist Transformations of English Surrealism: The Villa Seurat Network." jml: Journal of Modern Literature 33.4 (Summer 2010): 57-71.

ABSTRACT: This article traces the Villa Seurat's literary network and its neglected anarchist background in Henry Miller's influence and Lawrence Durrell's unrecognized anarchist affiliations. Miller and Durrell influenced an anarchist revision of the socialist and communist orthodoxy of Surrealism. Their anarchist views, which retained surrealist aesthetics, played a major role in the international development of English language Surrealism prior to and during World War II. It had an impact on poets as diverse as David Gascoyne, Henry Treece, Robert Duncan and Kenneth Rexroth.

Gifford, James and Michael Stevens. "A Variant of Lawrence Durrell's Livia; or, Buried Alive & the Composition of Monsieur; or, the Prince of Darkness." Lawrence Durrell at the Crossroads of Arts and Sciences. Eds. Corinne Alexandre-Garner, Isabelle Keller-Privat, & Murielle Philippe. Paris: Presses Universitaires de Paris Ouest, 2010. 173-193.

ABSTRACT: We propose an alternative reading of the sequential construction of Lawrence Durrell's The Avignon Quintet. The form only became clear as he prepared the first volume, Monsieur; or, the Prince of Darkness, for publication. By contrasting the published variant of Livia; or, Buried Alive, we draw attention to Durrell's structural preoccupations. By tracing the publication history of the first two volumes of The Avignon Quintet and the published variant, "Gog and Magog", we demonstrate that the spiritual, Gnostic thematic content develops from overt formal and theoretical concerns that Durrell articulated in his early variants.

Gifford, James. "Vassanji's Toronto and Durrell's Alexandria: The View from Across?" Indian Writers: Transnationalisms and Diasporas. Eds. Jaspal K. Singh & Rajendra Chetty. Postcolonial Studies 5. New York: Peter Lang, 2010. 171-182.

———. "Noses in The Alexandria Quartet: Groddeck and Stekel in Durrell." Deus Loci: The Lawrence Durrell Journal 11 (2009): 150-154. (reprint)

———. "The Poets of The Booster, Delta, and Seven, 1937-40: Recuperating Literary Networks." ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews 22.3 (2009): 42-47.

———. "Reading Miller's 'Numinous Cock': Heterosexist Presumption and Queerings of the Censored Text." ESC: English Studies in Canada 34.2-3 (2008): 49-70.

———. "Vassanji's Toronto and Durrell's Alexandria: The View from Across or the View from Beside?" The Journal of Commonwealth and Postcolonial Studies 15.2 (2008): 28-43.

———. "Surrealism's Anglo-American Afterlife: The Herbert Read and Henry Miller Network." Nexus: The International Henry Miller Journal 5 (2008): 36-64.

Miller, Henry. "Henry Miller's Letters to Herbert Read: 1935-1958." Ed. James Gifford. Nexus: The International Henry Miller Journal 5 (2008): 3-35.

Gifford, James & Steve Osadetz. "Le Gnosticisme dans Monsieur de Lawrence Durrell: Nouvelles Preuves." Hommage ô Jacques Lacarrière: Durrell et Lacarrière rencontre au bord du Styx. Eds. Corinne Alexandre-Garner and Christiane Séris. Nanterre: Presses Universitaires de Paris X, 2008. 117-128.

Gifford, James. "Men, Masculinities, and Music." Routledge International Encyclopedia of Men and Masculinities. Eds. Michael Flood, Judith Kegan Gardiner, Bob Pease, Keith Pringle. Oxford: Routledge, 2007. Long entry.

———. "Masculinities and the Novel." Routledge International Encyclopedia of Men and Masculinities. Eds. Michael Flood, Judith Kegan Gardiner, Bob Pease, Keith Pringle. Oxford: Routledge, 2007. Long entry.

———. "Infidelity and Cheating." Routledge International Encyclopedia of Men and Masculinities. Eds. Michael Flood, Judith Kegan Gardiner, Bob Pease, Keith Pringle. Oxford: Routledge, 2007. Short entry.

———. "Men, Masculinities, and Bisexuality." Routledge International Encyclopedia of Men and Masculinities. Eds. Michael Flood, Judith Kegan Gardiner, Bob Pease, Keith Pringle. Oxford: Routledge, 2007. Short entry.

———. "Hellenism/Modernism: Negotiating Modernisms and the Philhellene in Greece." Ed. Tatiani Rapatzikou. Anglo-American Perceptions of Hellenism. Newcastle: Cambridge Scholars Press, 2006. 82-97.

———. "Review: Incest: A New Perspective. Mary Hamer." Requested review for In-between: Studies in Literary Criticism. in press.

———. "'The sealed book of the future': Edward Taylor Fletcher's Poetic, Political, and Poly-lingual Canada, 1827-97." Eds. Aloys Fleischmann and Nancy Van Styvendale. Proceedings of Narratives of Citizenship. University of Alberta. Edmonton, AB. 1 September 2007.

ABSTRACT: This paper develops out of my current project to reprint the collected works of Edward Taylor Fletcher and to prepare a digital edition of his commonplace books. I give an overview of Fletcher, his works, and his importance, followed by a contextualization of his value to current notions of Canadian identity where multiple, overlapping, and contradictory narratives reflect an unstable subject.

———. "Lawrence Durrell's Alexandria Quartet and Colonial Knowing: Implicating Friedrich Nietzsche and Edward Said." Lawrence Durrell Borderlands and Borderlines. Ed. Corinne Alexandre-Garner. Confluences. XXVI. Paris: Publidix l'Université Paris X, 2005. 95-112.

ABSTRACT: Ce papier se dispute pour l'importance d'intérêt de Lawrence Durrell dans Friedrich Nietzsche aux lectures de postcolonial de ses romans par les arguments de Edward Said dans Orientalism. En particulier, les epistemologies de Nietzsche et sa discussion de l'erreur du monde vrai contre le monde apparent perdent la nouvelle lumière sur les lectures de position de Durrell comme un colonial dans Le Quatuor d'Alexandrie.
:::: This paper argues for the importance of Lawrence Durrell's interest in Friedrich Nietzsche to postcolonial readings of his novels through Edward Said's arguments in Orientalism. In particular, Nietzsche's epistemological arguments and his discussion of the error of the real versus the apparent world sheds new light on readings of Durrell's position as a colonial in The Alexandria Quartet.

———. "Women's Words on Reading." WWR Magazine 1.1 (2005): 15. From an interview with Kate Braid.

———."Delta and Dylan Thomas' 'Prologue to an Adventure.'" In-between: Studies in Literary Criticism 13.1 (2004): 19-23.

ABSTRACT: In 1939, Keidrych Rhys charged that Dylan Thomas' "Prologue to an Adventure" was reprinted "in Delta (Paris) without acknowledgement... without permission"; however, Ralph Maud contrarily argues "Durrell, as editor of Delta, asked Thomas for contributions and published something by him in all three issues" (123). Thomas' letters support the latter position and suggest he returned to the story for Delta, aiming for publication in a book project through the Obelisk Press in Paris. Hence, this later printing indicates his final intentions. This challenges the authoritative editions of Thomas, works, and I argue for a corrected edition of "Prologue to an Adventure" based on the Delta printing.

———. "'Convinced of the dead certainty of death': Henry Miller's Tropic of Capricorn and the Nexus of Fear and Violence.” Nexus: The International Henry Miller Journal 2 (2004): 106-118.

Short Abstract

James Gifford is Associate Professor of English in the School of the Humanities and University Core Director, Vancouver Campus.

I am Associate Professor of English in the School of the Humanities and Director of the University Core at Fairleigh Dickinson University – Vancouver Campus.

My research interests include Transatlantic Modernism (British, American, Irish, and Canadian), prose and poetry, media studies, cultural studies, genetic criticism, anarchism, radical political thought, and opera. I have particular interests in Lawrence Durrell, Henry Miller, Elizabeth Smart, T.S. Eliot, Robert Duncan, Aidan Higgins, and related authors.

I recently completed Personal Modernisms: Anarchist Networks and the Later Avant-Gardes (September 2014) and a critical edition of Lawrence Durrell's prose, From The Elephant's Back (2015). My current monograph project, A Modernist Fantasy, relates late modernism, radicalism, and mass media genre fiction of the 1940s through 1980s. I am currently editing the Robert Graves and Aemilia Laraçuen correspondence, as well as a critical edition of the works of Edward Taylor Fletcher, a Nineteenth Century Canadian poet, philologist, and Surveyor General of Québec. I also prepared a scholarly edition of Oscar Wilde's 1890 version of The Picture of Dorian Gray in PDF and ePub in conjunction with a facsimile edition, all of which are released under a Creative Commons license for free non-commercial and non-profit use. A versioned edition of the 1890 and 1891 states is forthcoming through the Modernist Versions Project. My scholarly editions of Lawrence Durrell's novels Pied Piper of Lovers and Panic Spring were published by ELS Editions in 2008. I also completed a scholarly edition of the Henry Miller and Herbert Read correspondence (2007), which focused on anarchist influences on English Surrealism.